The L15 Transform

L15 on C, voice by voice: the chords it pairs, the voice that steps, the source's own words, and every chord each side spells.

On C, L15 pairs C7 (C E G Bb) with C#dim7 (C# E G Bb): 1 voice steps, 3 hold, and the lead costs 1 semitone. The paper also names this step Q15, QQ51, N51.

The voices of C7 paired with C#dim7 by L15
Voice Becomes Step
C C# +1
E E holds
G G holds
Bb Bb holds

What each side spells

  • C7: C7
  • C#dim7: C#dim7, Edim7, Gdim7, Bbdim7

The paper's printed cycle through all 51 chords takes this step 4 times.

As the source prints it

The most parsimonious transformations exchange two types of sevenths moving just a note by a semitone or a whole-tone.

L15 : [x, x + 4, x + 7, x + 10] ↔ [x + 1, x + 4, x + 7, x + 10]

Q15 : [x, x + 4, x + 7, x + 10] ↔ [x + 1, x + 4, x + 7, x + 10]

QQ51 : [x, x + 3, x + 6, x + 9] ↔ [x, x + 2, x + 6, x + 9]

N51 : [x, x + 3, x + 6, x + 9] ↔ [x, x + 3, x + 5, x + 9]

The paper groups these names as one step: P35 ∼ R35 ∼ R53 ∼ RR35 and L15 ∼ Q15 ∼ QQ51 ∼ N51.

— A Generalized Dual of the Tonnetz for Seventh Chords: Mathematical, Computational and Compositional Aspects, pp. 301–308; Sonia Cannas and Moreno Andreatta. The source, read 2026-10-25.

Every named transform · Every chord one voice away