The P Transform

P on C, voice by voice: the chords it pairs, the voice that steps, the source's own words, and every chord each side spells.

On C, P (Parallel) pairs C (C E G) with Cm (C Eb G): 1 voice steps, 2 hold, and the lead costs 1 semitone.

The voices of C paired with Cm by P
Voice Becomes Step
C C holds
E Eb -1
G G holds

What each side spells

  • C: C
  • Cm: Cm

As the source prints it

Parallel relates a major triad and the minor triad sharing the same root, such as C and Cmi.

The Parallel transformation (P) preserves the perfect fifth in the triad and moves the remaining note by semitone.

Its example: C and Cmi.

— Open Music Theory, 2nd edition, 5.14 Neo-Riemannian Triadic Progressions; Mark Gotham, Kyle Gullings, Chelsey Hamm, Bryn Hughes, Brian Jarvis, Megan Lavengood and John Peterson. The source, read 2026-10-25.

Every named transform · Every chord one voice away